I was reading Justin Coyle’s opening remarks for Syndicate’s symposium on Paul Blowers’ book Maximus. Coyle writes:
Chapter 8 treats of Maximus on eros – God’s and ours. There he maps Maximus’ “dialectics of desire” to show that eros stands as the beating heart of the theo-drama. Its players enact the drama by learning to imitate God’s eros for them, principally in virtue and liturgical formation. (Emphasis mine)
When I read the description of Maximus’s view of the drama of creation as “learning to imitate God’s eros,” I couldn’t help but think of Girard’s work in mimetic theory. Girard views mimesis (the ‘imitation’, and thus the ‘interdividuality’, of desire and identity) as the irreducible essence of human consciousness and culture and the occasion for human sinfulness in all its competitive selfishness and violence. Many pick up on Girard’s theories as they relate to negative mimesis (viz., how the mimetic/imitative constitution of human consciousness and relations accounts for violence and sinfulness). Fewer appreciate Girard’s thoughts on positive mimesis (viz., the mimetic formation of human character and culture in the image of its divine source mediated through faith in Christ; cf. 1Cor 11.1; Eph 5.1).
Nothing extraordinary perhaps – just a possible confirmation of Girard’s insights from Maximus.